

Yeah, it blew my mind.
The thing that did it for me is that I realised that if I tried to imagine an apple, then it wouldn’t have a colour before someone asked me what colour it was. Like, I was simultaneously imagining an apple that was deep red, like what the witch gave to Snow White. But I’m also imagining a green apple, like a granny smith. Or a pink and green one, like a Pink Lady.
Except that doesn’t make sense, because one apple can’t be three different colours simultaneously. I realised that I wasn’t so much visualising an apple, but more like accessing a database entry for apples. e.g.
Apples:
- Can be deep red
- Can be green
- can be pink and green
- can be other colours
- apples are on the first aisle in the big grocery store
Stuff like that.





The idea of copyright is to protect the financial rights of creatives, thus incentivising people to make more stuff, right?
Well even before AI, it wasn’t doing its job very well on that front. The only ones with the power and money to be able to leverage copyright to protect their rights are those who are already so powerful that they don’t need those protections — big music labels and the like. Individual creatives were already being fucked over by the system long before AI.
If you haven’t read the article, I’d encourage you to give it a try. Or perhaps this one, which goes into depth on the intrinsic tensions within copyright law.