Khrux

I 100% agree on consistency, but I actually suspect LLMs would be pretty decent at translating linguistic concepts. Their grasp of contextual language is always surprisingly good, as seen in how well they rewrite tone to very specific parameters.

I don’t use ChatGPT loads, but I do use it a little, often alongside a method of project that can’t hallucinate. The other week I was talking in one chat about the vocal tone of the novel Blood Meridian by Cormac McCarthy, that has this laconic, worn down dialogue with old testament feeling prose. In another chat, I was prompting ‘sage advice’ for a matcha scone recipe I wanted to make where I was marbling strawberry directly into the dough. I got which chat I was responding in wrong and accidentally had it give me a the scone recipe in Cormac McCarthy’s writing style.

MARBLED SCONES

He measured two cups of flour into a bowl and cut in the baking powder with the side of his hand. Salt followed. It hung in the flour like stone dust. He stirred it with a fork and the dry mix turned over itself and fell still. He cut the butter into cubes and dropped them in and pressed them through with his fingers until the flour took the texture of packed soil. He added a spoon of matcha. The green of river weed. The taste of old things left out in the rain.

He poured in buttermilk and cream. A little at a time. He stirred it slow with a blunt knife and the dough pulled together like it didn’t want to be one thing.

In another bowl he took a handful of flour and mixed it with strawberry powder. A drop of red dye like blood in water. He stirred in cream until it held. He pressed the green dough flat on the counter and laid the red over it and folded. Folded again. The colors turned but did not blend. Like veins of ore in a dark stone.

He shaped the dough into a slab and cut thick rounds with a glass. Each one imperfect. Some leaning. Some split. He set them on a tray lined with paper. The oven was already hot. He did not preheat it. It was always hot. Four twenty five. He watched the scones rise through the glass. They broke along the seams. Green and red and gold. They looked like they’d been dug up.

He split one open while it was still warm. He spread pistachio butter across the inside. It melted into the crumb. Then clotted cream. Then jam. The weight of it brought the top half down slow.

He took it outside and sat in the dirt to eat. There was no sound but the breeze. The sky was wide and empty. The scone was good. The scone was all right.

Now this is actually super easy to critique as a recipe, because it fucking sucks. In adaptation, it’s lost a lot of critical instruction. This is effectively a translation that must adhere to narrow and specific tone to achieve a meaning that cannot be translated without grasping a meaning to language that exists beyond the words.

Obviously this is English to English, but a big difference is that there is far more Japanese out there than Cormac McCarthy.

That being said, nothing cements what you’re saying about consistency more than how badly butchered the underlying instructions to this recipe are.

Although I think it’s worth saying how much dubs have improved in the last decade, I’ve always been reasonably lightly into anime, but always had the odd niche recommendation on the go. Most anime I watch is still casual in tone, so I like to have it on while doing art or something, so I’m a big dub supporter.

A decade ago, you could probably have a rule that unless you’d see someone wearing merch of the anime in public, the dub would be shit, but I think because streaming services are paying so much for dunning themselves, it’s lightened the burden across the scene.

Also if over 50% of users watch dubs, I wonder what percentage of their users solely watch high budget, mainstream anime which has perfectly fine dubs.

And sometimes just super plain ones. I remember getting my favourite Skyrim potion texture mod from there specifically.

Microsoft has absolutely been preparing for the end of traditional consoles more or less since the flop of the Xbox One. Their entire push a few years back to make “Everything Xbox” was a bit mistimed and disloyal to their console war cultists but they’re right that it’s the natural end point.

I think we’ll probably see streaming games from their servers reoccur in popularity pretty soon, as much as I’m not a fan of it, because it’s the total end point for non tech savvy consumers, they just pay a subscription, get a controller which can connect to the TV or phone and download an app, no hardware required. Meanwhile every consumer who is resisting the death of tech literacy (everyone else), is going in this direction. The physical console will reduce in popularity year by year as it fills a niche that nobody needs anymore.

That being said, the popularity of the switch and steam deck interests me, because it’s a third direction away from traditional consoles that I’d not have predicted.

The pentagon knew Israel was about to attack, they said so themselves, but denied any support or involvement. This seems to a valid reason for the pizza party, just to track, observe and be ready for any unexpected counter response.

I am in the camp where I believe the USA hasn’t actively been involved yet but fully intend to be in the coming days. We have a seen Israel do anything they weren’t already capable of, and the massive shift of US jets, missiles and an aircraft carrier to the middle east has largely happened after the initial attack.

Also worth addressing that people are using large language models exactly because the ad driven web was enshitified enough that people clambered for this new option.

There will be at least one LLM that’s good for web searching and doesn’t give in to advertising, and in the meantime, we’ll just need to keep jumping ship whenever one becomes awful, as we did with the old web.

I have a surprisingly forgiving opinion on AI. There are many cases that I think it’s purpose is stupid or defeats the point but it has the potential to cause such a large break to employability and capitalism in general that it has it’s upsides.

People are right to take issue with the fact that it is causing people to lose their jobs or be unemployable by no fault of their own, but underlying that issue is the fact that society shouldn’t function on the employment being necessary (which I am aware is an opinion).

Even in its absurd energy and water usage, this is largely an issue with how we currently get our energy and water. Having our technocrats suddenly more invested in new and better forms of energy, even just for powering AI has the potential to be a path to better clean energy options.

AI is fundamentally a neutral tool, but as much as it may be sued for evil, it may accelerate flawed economic and environmental systems to a breaking point where a redesign of those structures will be required, which could be the greatest opportunity to implement better structures that we’ve had since the industrial revolution.

Back in 2013, I bought an old PS3 + GTA5 for £150 or so just to play the game, then once I had it, picked up two more exclusives, before never touching it again pretty quickly.

Getting a console for GTA6, plus the game, this time may set me back more than my expendable income after rent and bills. It will absolutely sell consoles but I’d wager people are actually able to buy a console much less than in 2013.

I had it from release and honestly, even day 1 it smoked the competition in the city sim genre, releasing with features and scale than Sim City ever had.

The DLC often introduced more systems, but they did feel ‘extra’, the game was perfectly functional before parks or tourism or natural disasters etc.

The reason CS:2 felt so necessary is because the first was bloated and had underlying issues in it’s simulation logic, like unrealistically inefficient driving, or a large expansion to residential areas causing all the new residents to die of old age at the same time, crippling the city. Every part of the GUI and logic just felt clunky compared to modern, polished games.

The flip side to this article is that most of the criticisms, while really valid, talk about the intended play style for life sim games to be to live through the key points of their character’s lives with immersion.

For literally 20 years, I’ve barely seen it used for this purpose, instead people make themselves, their friends, their dream house, they cheat in money and turn off aging etc. Actually stopping to roleplay your character making friends is the activity most people do when their bored of the regular things they do.

Still, InZoi seeming to not simulate the lives of any of the other NPC’s is a big loss. Even if you’re not interacting with that part of the game, knowing it’s there is great. The Sims 4 (or 3, I forget) strove to reach the dream version of this: You buy a cheap property in a fully open world and ‘functioning’ town and you could walk from your front door to the town center, and the neighbour you see may also drive to town and you’ll see them there. Then as you play, you go from working in the gym to owning it, and can now modify it like your property because it runs on the same rules, the same goes for everything else. The Sims didn’t manage this but their later games clearly launched with this as their design’s guiding light.

I’m mostly interested in the game as a character creator and house builder, but that’s because I don’t expect any game to do a good job of what the article writer wishes for, The Sims included.

One thing I did notice a while back, was seeing the 2022ish interface for YouTube and Google search and feeling how dated it was, still absolutely usable mind you, just clearly with a design ethos from an older era.

Most the time, I feel that changes Google make are absolutely arbitrary, rounding a button and then squaring it again, but I need to give them credit that there is something more, something about staying at the forefront of GUIs. It’s still all bullshit of course, the old one looks older but is identically useful.

I agree, it’s unfortunately impossible to boycott AI outright. The game you love that didn’t use it for the writing, art or code probably still had plenty of planning meetings where copilot PowerPoint tools were used. A programmer who doesn’t use AI may use something from someone who did. An artist may get a job over another because they used AI for their job application.

And that’s ignoring everyone that uses it intentionally for projects. I genuinely loathe AI content but it’s not worth boycotting like many other causes.

In the 19th century, the Jacquard loom became widespread, using punchcards to automate weaving. Belgian workers who lost their jobs from this would protest by throwing their wooden shoes, their sabots into the machines. This act is the origin of the word saboteur. This era of industrialisation was shared by the movement of the romantics. Romanticism existed to contrast industrialisation and enlightenment, to celebrate nature and imagination and individuality. Poets like Lord Byron led wonderfully flawed but human lives, while capturing this feeling in their art, poetry and philosophy.

But humans although wonderfully flawed, seek convenience. Evolution loves convenience, dopamine loves convenience, capitalism loves convenience. When it’s allure comes from all directions, we cnt fault ourselves for succumbing to it.

Although their name lives on, the saboteurs couldn’t stop the world seeking convenience. Although Romanticism always existed before it’s heyday, it eventually diminished. From the punchcards of the Jacquard looms, Charles Babbage and Ada Lovelace (the estranged and father-loathing daughter of Lord Byron) developed the general purpose computer. Technological convenience survived.

There is a growing opinion that we are living through a new romantic era, this time opposing the digital world, the algorithm and artificial intelligence. I agree with this sentiment. Although I consider myself a socialist, pro workers rights and supporter of radical ideals, I don’t see the new saboteurs winning; I don’t see boycotting AI, or poisoning our art and media with AI confusing language and imagery as a path to victory. Eventually convince always wins. Instead I want to be a romantic, who can celebrate everything human that AI cannot be, without believing that I can exist outside of it’s influence. I can both love human made art, media and content, and consume that which has been touched by AI.

God knows why I wrote this all I guess it’s just not a conversation I’d ever get to have in real life. There are probably typos in here, I hate to proof-read.

How do you mean? I know it’s pretty standard to pirate the Sims games because of their dlc costs, but I don’t know any way to get it legally and on steam.

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I do think a huge world with an engaging and dense design can still be made worse with size. In some games like Skyrim, Breath of the Wild or GTA 5, you could probably drop me anywhere and I’d know where I was, half due to good and differing region design and half because the map isn’t that big.

Back in 2015 I’d dream of a GTA 5 expansion that adds San Francisco and Las Vegas to the map, turning the north and east of the map in to a 500 yard straight of water, but in reality, two more large cities and their surroundings suburbs and wilderness would have never kept it’s memorability like the first region.

Honestly I think these games need more points of interest that are not marked on the map whatsoever, and don’t matter towards 100% completion.

I eventually went through the Witcher 3 post game and got every single marker but it was basically background work while I listened to audiobooks, I didn’t come across anything interesting for hours. However I do acknowledge that those markers aren’t necessary meant to be sought out, but stumbled upon.

It it to wait 30 mins then do it every 10, and pop it in startup, those were the days.

The other was Free_Cupholder.EXE. I miss disk drives for this reason more than for actual use.

The execs probably get away fine from it as well, even if the company sinks, they’ll end up high up somewhere else.

Online service games are just peak venture capitalism, grinding a small studio to dust and causing massive misery followed by unemployment for a 1/50 shot at making a money printer.

Funnily enough The Witcher 3 is one of the games I always think of for the trope of not following the plot. Often I think of the ludonarrative dissonance specifically between Gestalt’s paternal drive to find and protect Ciri Vs Gwent.

For large scale, AAA open world games, I mostly think of Breath of the Wild, which transparently sets itself up as being about taking as long as you need to get strong enough to save the world and Red Dead Redemption 2, which doesn’t care about the stakes of the world.

I sometimes can’t wrap my head around the fact that Witcher 3, BotW and RDR2 were each two years apart. I don’t feel any open world game has occupied the cultural space those games did since.

This is Call of Duty 22.