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Joined 4 years ago
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Cake day: June 23rd, 2020

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  • The base game already had some pretty badly designed fights that rely on deceptive animations and timing for their difficulty, and the DLC really triples down on that. The more games they make the more bullshit the fights get. I like a challenging fight, but when you have to die to a boss 20-30 times just to see all of their attacks, and the attacks are designed to not be legible the first time you see them… It’s just not very fun game design. I think FROM is a victim of their own success and this is the inevitable result of constantly trying to one-up the last hardest flight in the series. At a certain point it stops being rewarding and just becomes a grind.


  • I mean, I definitely think it’s not ideal and there’s room for improvement and social pressure for Mozilla to change its priorities, but I also don’t think it’s any reason to abandon the project. The reality is that a modern web browser is too massive of a project for a non-commercial entity to reasonably develop and keep updated, and Mozilla is the only such entity that’s even remotely got its heart in the right place.










  • … no, you literally are not. For that to be the case, you would have to already be planning to purchase the good, and then decide to pirate it instead. Even if that is the case (which in the vast majority of cases it is not), it still requires absurd mental gymnastics to reframe not paying someone money as stealing money from that person. You haven’t signed a contract. The entire concept of a “lost sale” is a lie. If someone pirating a movie is a lost sale, so is someone deciding not to see that movie because the ticket is too expensive, or the reviews are too bad. This is why I said it’s internalized corporate propaganda, because it places the onus for fairly compensating artists on the audience instead of the industry.

    Additionally, the economics of almost every media distribution solution in existence means that purchasing a piece of media puts only a miniscule fraction of that price into the hands of the artist. Which is why I mentioned direct donation: giving a music artist you like $10 directly is a better way to support them than paying for Spotify Premium or even buying their discography on CD.



  • GitHub (since the Microsoft acquisition) is good to users because that’s their MO, it’s called Embrace, Extend, Extinguish, and the whole point is to centralize users and projects and make them dependent on the Microsoft ecosystem.

    Of course now there’s also the whole issue of Copilot, which means any code you put on GitHub could very well show up piecemeal in someone’s AI-generated code. If it wasn’t for that novel avenue of monetization, you can bet your ass GitHub would have already made the free user experience a lot shittier.